Cain & Cain |
|
|
|
||||||||||||||||||||||||||||||||||||
|
"…Picking the 'best' product of the show is a no-brainer for me. I heard nothing that touched the Cain and Cain Studio Ben ES double-horns (US$12,500) and I hope that more people get to hear this superb example of sublime simplicity. I know it seems odd that I would recommend the Studio Ben ES over the Avant-Garde Trio 3.0s, which are capable of brilliance, and have legions of fans, but the maple horns from Walla-Walla were better this weekend… - Ian White, Enjoy The Music.com |
Cain & Cain at Rocky Mountain Audio Fest 2005 - Denver, Colorado |
|
|
"Terry Cain's Cain & Cain ground-level space turned into VSAC central, with listening sessions late into the night and various tube amps on tap which were switched in and out on the fly. This is where Fostex/SET aficionado and Audio Asylum/TAS/6moons contributor Stephaen and large groups of like-minded folks hung out around the clock. Front-end duties were handled by Terry's VRS computer server which also appeared in three other exhibits, nearly always mated with tubes to herald a different kind of convergence. A proper turntable was present as well." - SixMoons.com Industry Feature, Click Me! for photographs and report. |
|
|
|
|
|
|
The Abby Loudspeakers
|
|
The Abby loudspeakers are not only meant for triode-based amplifiers, Terry Cain also suggests that listeners will be very surprised by their performance with integrated amplifiers (both tube and solid state), solid-state amplifiers, and even surround sound receivers. |
Cain & Cain: Abby Specifications |
|
***Super Abby*** is also available at additional cost, a special version adding an alnico horn tweeter firing backwards, for a huge soundstage, air and very nice HF extension. |
Cain & Cain Abby Comments found on the web: |
|
|
"The Abby's are hard to please in matching the right amp to get the right sound. But if you are able to do so, you have something that's really a pleasure to listen to."
"I just picked up a pair of Cain & Cain Abby speakers yesterday and they are just wonderful. They work beautifully in my room (12x20x8, with a 10x10x8 "L"), sounding even better here than they did at the dealer's demo -- I had a slight reservation about lack of bass, but at home they sound just great to me." "I still get amazed by them every day. They're also easy on the eyes .....just frosting on the cake : ) " "I have the Abby's and love them. Best woodwork I've ever seen on a speaker. My wife loves their looks too - first speakers she has ever said that about (and I've had a lot of different speakers)."
|
|
The Bailey subwoofer is delightfully sonically subtle and unobvious, unobtrusive. Definitely a true music sub, no home theater propensities here. Very articulate, and a seamless match with the Abbys (and for other similar designs, or horns).
In our opinion, the Cain & Cain speaker system is a fine representative of the crossoverless single-driver design, sonically and aesthetically. Listen and experience Terry Cain's offering, and perhaps you'll agree with us :) |
Cain & Cain Abby Normal Version |
|
The Abby Normal version uses one driver with superb tonality and dynamics, the Fostex FE 166e.
Basically we recommend the Normal version for rooms larger than 12 x 12 x 8ft, and listener-to-speaker distances greater than 6 to 8 ft. The Normal version can project music into the room more easily than the Nearfield model.
|
Cain & Cain Abby Nearfield Version |
|
The Abby
Nearfield version uses one driver, the Fostex FF 165k (without a
whizzer cone using an aluminum dustcap), with superb tonality and dynamics, for
smooth 17khz response.
|
|
|
|
![]() The Bailey subwoofer is designed to harmonize with our existing products. Bailey fills the need for low frequency reinforcement for our high efficiency designs. What drives one in the first place to single driver systems could well be the one note bass emanating from so many bass systems one encounters. The tactile and colorful bass only horns and their variants provide is the goal of the Bailey. Not pretending to reinvent bass technology or to add anything other than precise craftsmanship, Bailey succeeds on all goals intended.
The
first thing noticed in Driver selection is that the displacement wars that
exist in car audio also quite dominate high end hifi. Just pushing in on
some drivers you can pretty much guess they need a lot of power and are
going to sound “one note”. And knowing one would and will lose the
displacement wars allows freedom of design, allowing effort aimed at solving
the real problem of system matching, tonally. To match tonally with the high efficiency systems in place, we start by acknowledging that the Abby and the backhorns are easy to integrate with. Their already strong midbass clarity make adding the bottom two octaves, a pleasure of design. Placement becomes easier, lack of boominess in the main systems means less boom overall. Control is the issue, not the size or weight. Recommended by the management at Madisound as a no holds barred driver for high end audio, “what would be better” we kept asking, but getting the same reply:
The SEAS driver won't win the displacement wars and does not attempt to. Instead it offers superb musicality and tonal complexity. Something very rare in systems not fully horn loaded. So to keep up with the modest heat and power demands on an amplifier, this driver is ideal. The 300 watt built in amplifier never runs hot and is very easy to adjust to our systems for optimal results. Enclosed in a sealed sub enclosure of it's own to insure stability, it effortlessly provides deep powerful bass. The Cabinet is where we have gained some insights and flex our advantage. Knowing from building our other systems what rigidity can do for tonal and pitch accuracy we applied the same theory. By making a precision machined, all-plywood cabinet has yielded exceptionally taught and colorful bass. Where many systems built of composite boards will absorb energy, plywood reflects the energy putting more bass and texture into the room. And also by eliminating compliance wherever possible we maintain clarity. Most drivers have a big plushy (sounding) rubber gasket surround and right away you hear the difference with the SEAS rigid aluminum frame-to-wood t-nutted and hex bolted to a rigid cabinet. The synergy of the amp-driver-cabinet compliments our existing systems remarkably, such that they have become now, a complete system by addition of the Bailey. Will you need 2 subs? This would be a lot of fun no doubt. 2 subs allow for better room control of bass reflections. If your room is damped or irregular, one (1) Bailey will give you the big bottom. In a large open space 2 subs would provide rave-on-demand convenience and power. Ask about mirror imaged and symmetric matched pairs of Baileys for the ultimate installations. |
Cain & Cain: Bailey Subwoofer Specifications |
|
|
|
|
|
|
Click Me! for more information on the Studio Series.
|
|
|
|
|
Why A Single-Driver ? |
||
|
|
Why All Wooden Front on the Abbys ? |
||
|
|
|
|
|
Click Me! to visit the Cain & Cain reviews page, including hifi show feedback and other articles of interest related to Cain & Cain. |
|
|
|
|
|
|
Cain & Cain Speakers |
|
Copyright 2002 - 2006 Soundscape HiFi And Music Designed by E-SOUNDSCAPE
|
|
|