Era Gold
Reflex Specifications
:
|
|
Burn-In Time |
A period of approximately
1 week
is required for the circuit to "break-in", after which
it is advisable to leave the product on. After
disconnection from the power they will require a further
few days break-in period to return to full performance.
BURN-IN TIME is the period the circuit requires to be
left powered-on from new for the entire circuit to
stabilize. Until then performance will not be as
advertised. |
| Phono Connectors |
Heavy Gold Plated |
| Gain |
41.5 db
(118) |
|
Maximum Input |
45mV rms |
|
Nominal Output |
472 mV rms |
|
Maximum Output |
5.3 V rms |
|
Input Resistance |
47 kOhms |
|
Input Capacitance |
220 pF |
|
Output will drive |
10k Ohms |
|
Noise |
-68dB CCIR q-pk 20Hz-20kHz |
|
Distortion |
0.02% |
|
RIAA Accuracy |
0.5 dB |
|
Frequency Response |
5Hz - 150kHz |
|
Channel Balance |
0.2 dB |
|
Channel Separation |
64 dB |
| Power Supply |
PSU1-24 power supply
The power supply circuits do not
employ switch-mode or DC-DC conversion. The RF produced by such devices gets
into the signal path and modulates the signal, producing a set of pseudo
frequencies that sing along with the music. This may make a stage sound rich,
luscious and zingy, but it's not music. |
|
Casing |
Unique construction aluminium extrusion
base and top; 3.2mm thick front and rear panels; Satin silver anodised aluminium
finish |
| Size (approx) |
170 x 117 x 50 (mm) |
|
Elevator EXP Specifications:
|
|
Design & Technology |
The complete lack of flywheel effect or hysterisis of
transformers and correct cartridge matching, combine
with the fast low noise video bandwidth of the EXP to
provide an award winning performance.
Transformless, wide-bandwidth |
|
Burn-In Time |
A period of approximately 3-4 weeks
is required for the circuit to "break-in", after which
it is advisable to leave the product on. After
disconnection from the power they will require a further
few days break-in period to return to full performance.
BURN-IN TIME is the period the circuit requires to be
left powered-on from new for the entire circuit to
stabilize. Until then performance will not be as
advertised. |
| Phono Connectors |
Heavy Gold Plated |
| Gain |
24 db |
| Amplifiers |
video amplifiers that provide the
bandwidth required |
| Input Referred Noise |
-130dB rms - like a studio mcrophone
amp - i.e. hiss will be below the noise of a clean
record |
| Distortion |
less than 0.01% (almost near
non-existent (including the test oscillator's 0.003%
distortion) |
| Cartridge Loading |
External. Available via two front panel gold
plated contact switches.
23, 30, 100,
840, 1000, 5100, 47kHz |
| Power Supply |
PSU1-24 power supply
The power supply circuits do not
employ switch-mode or DC-DC conversion. The RF produced by such devices gets
into the signal path and modulates the signal, producing a set of pseudo
frequencies that sing along with the music. This may make a stage sound rich,
luscious and zingy, but it's not music. DC coupling is used
throughout each Elevator step-up transformer-less head amplifier. The zero
volt rail is internally generated providing an absolutely clean ground. This
allows the use of a single sided supply, and a simple 24 volt battery supply
can therefore be substituted by the user for extremely critical listening. |
|
Components |
Components used in the
Elevator are to the highest professional standards, including FR4 epoxy
resin single and double sided plated through hole printed circuit boards,
C&K gold plated contact switches, Analogue Devices semiconductors, tantalum
capacitors, Elna audio grade capacitors, Wima low inductance high speed
polypropylene and silver/mica capacitors. Connections are by heavy gold
plated, Teflon insulated deluxe phono jacks, and an additional arm earth is
provided for convenience. |
|
Casing |
Unique construction aluminium extrusion
base and top; 3.2mm thick front and rear panels; Satin silver anodised aluminium
finish |
| Size (approx) |
170 x 117 x 50 (mm) |
|
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12 to 24 months !
