Extracts:

1. "The mass of the platter is so great that the little variations in drag from the stylus are unable to make substantial changes in platter speed. The result – great speed stability. Since warps and off - centeredness of records are, in the majority of cases, far greater sources of audible speed variations than platter behavior, speed stability can be verified directly only by having a well-centered, warp-free record."

2.  "The use of acrylic as a platter material has become common, apparently on the grounds that acrylic and vinyl have nearly the same mechanical impedance. Thus, the reasoning goes, pressing a vinyl record onto an acrylic platter should produce maximum energy transfer from the record into the platter, minimizing contamination of the sound by vinyl vibrations."

3.  "As it happened, I reviewed the Eurolab “blind” – to the price. I had no idea how much it cost until I had finished my listening and written most of the review. I estimated around US$5,500 (without arm), and was prepared to say that it represented excellent value for money and compared favorably to much more expensive tables.  Imagine then how much more strongly it recommends itself at its actual price of US$2,100!  I think real listeners will find this redefines vinyl playback in the less-than-stratospheric range. I suggest you hear this set-up no matter how much money you are able to spend (short of the Rockport, anyway). "

4.  "The massiveness of the Premier’s platter and its ability to remain unperturbed under dynamic conditions are such that you can tap the record surface during play and not hear anything – anything – through the speakers. I’ve not witnessed a more impressive demonstration of isolation-cum-damping since my Sota Star/SME IV / Virtuoso Boron ensemble kept playing without skipping a groove during the 1987 earthquake that hit Los Angeles."